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“It’s a false remedy for a non-existent ailment,” she wrote. Veteran La Presse writer Lysiane Gagnon warned in a column that the proposal would open the door to government meddling in the practice of journalism and create an unwieldy bureaucracy. This advertisement has not loaded yet, but your article continues below. The exercise of the craft of journalism is performed in public, and the public alone can evaluate the quality and judge the relevance,” he wrote. “The state of journalism in Quebec is at times disappointing, occasionally depressing, but that is the nature of public debate, and it is in accordance with the right of each citizen to think what he wishes. In a brief submitted this month, Jean-Dussault, retired after a 36-year career with Radio-Canada, argued that creating two classes of journalist would serve those selected more than it would the public.

#Drive genius 3 le professional#

It was suggested that journalists awarded professional status could enjoy special privileges, such as improved access to government sources. Their work must be underpinned by principles and values. Professional journalists must be required to follow high ethical standards in order to ensure the accountability and quality of disseminated news. It is thus important to distinguish professional journalists, who are obligated to work in the public interest, from amateur newsgatherers and bloggers. Readers must be able to judge the basis for the content they are receiving. increasing number of news platforms does not guarantee better news quality. ), detailed why the public needed government guidance in the Internet Age.

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#Drive genius 3 le full#

Here's the full story of the argument, told by Menuez to Inc. 'You've got something to offer, something of value yourself.' 'Every genius has a blind spot,' Menuez says and that's when your knowledge is equally powerful. On the other hand, no one, not even a genius, is always right about everything. If you aren't that confident, 'you'll be crushed like a bug on a windscreen.' The experience taught him that when working with a genius, you have to be 'confident' and 'do your homework' so 'you are willing to die for those ideas.' He learned from watching those fights that he had to 'be confident.' Jobs wanted people to 'argue back.' So Menuez 'fought back and I won the argument, actually.' 'It was an interesting experience because I had seen him in direct confrontations with engineers for two years,' he said. But in the three years they hung out together 'We had one really big fight where he tried to stop me from doing a portrait the way I wanted to do it,' he said.

#Drive genius 3 le how to#

that one of the lessons he learned from Jobs was how to command respect.Īs a photographer, he 'tried to be a fly in the wall and not engage with Steve,' he said. Those 250,000 photographs became the basis of the book 'Fearless Genius,' along with a documentary and traveling exhibit. Menuez went on to photograph other powerful figures of Silicon Valley, as well. Photographer Doug Menuez was granted unprecedented access to Jobs, working with him from 1986 to 1988 to document Steve Jobs' other company, NeXT and photographing him some more when he returned to Apple. But, like others of his ilk, he was also known to be difficult, headstrong and argumentative.

There's no question that Steve Jobs was a visionary and a genius. Account icon An icon in the shape of a person's head and shoulders.